In Alexander Maksik’s The Long Corner, a personal tragedy drives Sol to leave New York and accept an invitation to The Coded Garden, an artists’ colony on a tropical island, whose mysterious patron, Sebastian Light, seems to offer the very escape Sol desperately needs. But the longer he remains in the Garden, the more Light comes to resemble Trump himself, and the games he plays with Sol become more dangerous. Slowly lines begin to blur—between reality and performance, sincerity and manipulation, art and life, beauty and emptiness—until Sol finds that he must question everything: his past, his convictions, and his very sanity.
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